MITCHELL F. CHAN
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  SECOND INAUGURAL ADDRESS
The IN PROGRESS portion of the website presents projects that are, for whatever reason, unrealized, incomplete, or stalled. I post them here as a reminder that I ought to finish them.

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OVERVIEW:

Second Inaugural Address is the title of this 8-channel sound installation consisting of 8 speakers housed in cast porcelain megaphone casings, arranged facing inward in a 25’ diameter circle. Across the speakers, a recording of Lincoln's Second Inaugural Address is, like the nation it describes, fractured and finally reassembled through the calmness and concentration of the public participants.

TECHNICAL:

A second recording of Lincoln's Second Inaugural Address is broken into 8 different channels, with each capturing just a narrow range of audio frequencies. For instance, a channel of just the highest frequencies may capture only "esss" sounds, while a channel of only low frequencies would capture the low vowel phonemes like "oh" and "uh". The point is that no single one of these channels contains enough range of the human voice to be understandable, even with close listening.

Each of the eight audio channels is quietly broadcast on one of the eight speakers arranged in a circle in the room. Each speaker is pointed toward the center of the circle. The content of the recording is unintelligible until the viewers stand in the very centre of the circle. At this centre point, all frequency bandwidths of the recording are audible, and the speech comes together.

This audio collage roughly simulates the effect of walking up to different speakers, then finally moving to the centre of the circle to hear the full audio.

CLICK HERE FOR AUDIO COLLAGE

 

 

DESCRIPTION:

The project had previously been set up in rough form in order to establish proof of concept for the acoustic effect. The following is a description of the experience of that first group viewers:

As the viewers entered the project they heard a low murmur. The sound was undoubtedly speech, but the content was unintelligible. A viewer approached a speaker more closely, hoping to hear more clearly the message being transmitted. She put her ear right up to the megaphone. Others did the same, but to no avail. Each speaker is projecting only a small window of the frequency range of the human voice. The northernmost speaker may only be transmitting the high frequencies of the voice, producing an occasional “ssst… ssst ssst… sssssst,” while the southwest speaker may transmit only a low-mid frequency band, sounding something like a man speaking into a pillow, but still indistinguishable.

Finally, one of the viewers stands in the very center of the arrangement, the point of the room furthest away from any one speaker but equidistant to all, and listens very carefully. The content of the speech reveals itself as all the frequency ranges converge at the central point of room. The voice is reciting Abraham Lincoln’s Second Inaugural Address, originally delivered in 1865 to a nation deeply divided along ideological lines that were also delineated by political geography. The other viewers understood the auditory effect soon after and began to come together at the audio focal point. They huddled shoulder to shoulder in the center of the room. Standing together, they listened to not one voice but to a multiplicity of voices arranged all around them, reciting one of the most astonishing moments of clarity in the face of sacrifice, ideological divide, and atonement in American history.

CLICK HERE TO READ A TEXT TRANSCRIPTION OF LINCOLN'S SECOND INAUGURAL ADDRESS

STATUS:

A proof of concept 1:1 scale model was successfully executed using a recording segmented into 8 narrow bandwidths and played back through a proper 8-channel speaker system at the School of the Art Institute of Chicago in Fall of 2010.

However, the project remains unexecuted in its permanent form pending funding for the porcelain sculptural elements that complete the artwork and the acoustic panelling necessary to create a reasonably anachoic environment for maximum auditory effect.